
Greetings, my name is Richard Cabrera (he/him), an Ecuadorian-American artist residing in Queens, New York, and a recent Fine Arts graduate from LaGuardia Community College. This opportunity to work with the American Folk Art Museum presents a rich source of culture, individuality, and a level of respect toward artists, assisting my career and my artistic identity. Folk art contributes a unique set of origins and influences that relate to creative expressions throughout time.
My objective in making art is to express my personal beliefs and visions of beauty and elegance. Displaying and exploring what is “beautiful” to the human eye is what motivates me to draw and paint. I create sensitive works that target the essence of individuals and nature. These two pieces are work in progress, which I plan to complete soon.


Browsing through the American Folk Art Museum collection, the artwork “No Place, Someplace, and Blankville, (double-sided)” by William A. Hall (1943–2019) impressed me. The lightness and transparency of this pencil drawing offer the sensation of a soul and a story to tell. In the details of the house, Hall’s color choices demonstrate a sensitivity and an impression of open welcoming. Also, Hall’s value and cross-hatching techniques on the trees and the house successfully capture volume and texture which makes the overall drawing delightful to view. William A. Hall has written an innovative and distinctive fantasy he created between the worlds of No Place, Someplace, and Blankville. This piqued my curiosity to understand what Hall was seeing from his perspective. An artist’s sketchbook is a document that presents a portion of one’s life, which is why I love seeing the thought process behind their work, studying to view their technical and conceptual skills, and understanding who they are as a person.





















